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, is an example of how television’s episodic structure can be applied to games to build narrative suspense and emotional investment on the part of the player. Pigeon Nation’s secrets were crammed into a couple hours of bizarre gameplay, I don’t think I could handle it.
Even spread out over about 9 hours, there were times when the plot was a little too outlandish, and I say that fully understanding the absurdity of criticizing a pigeon dating sim for implausibility.
While forcing you to be monogamous is pretty lame, it serves an important purpose: Since each playthrough is devoted to one pigeon, you get to know each of their personalities.
Each playthrough leaves clues and dead ends to encourage the player to keep playing and satisfy his or her curiosity.
An otome game (乙女ゲーム, literally meaning "girl" or "maiden" game) is a story based video game that is targeted towards the female market.
Haruhi might be a tad jealous, but it’s Tamaki’s inner turmoil that presents the biggest threat to her happiness.
The narrative builds suspense by structuring each playthrough of the dating sim portion as episodes.
Since the mechanics guide players to focus on a single bird, the episodes serve as in-depth introductions to their characters while leaving clues to the overarching plot.
It’s much easier to care about their fate, and the outlandish metaplot, than if everything had been revealed over the course of a single playthrough.
After a few hours, I had grown so attached to the pigeons that I shed a couple tears towards the end, after which I immediately reprimanded myself for crying over a game about an all-bird boarding school.